socio-cultural contexts.'4 As i noticed, these memories are limited and individual, which makes Forum excluded from the realm of cultural and collective memory. This research paper concludes with the question whether Forum should indeed still be remembered, including the opinion of several Forum participants on how to remember it. Methodology: Memory studies To use cultural memory studies as a theoretical approach for this local case is appropriate since the studies' concepts show that it is not a tool which can only be applied to a single discipline, but instead functions in relation to multidis- ciplinary issues. it may thus help approach the historical, sociological, and art historical aspects of Forum. The discipline's importance is not only recognised because of its rapid growth of publications treating of specific national, social, religious, or family memories, but also by the contemporary trend which aims to provide overviews of the state of the art in this emerging field and to create differ ent research traditions.5 However, since the term 'cultural' memory is ambiguous and vague, one should indicate a clear, consistent definition. i will hence be using the definition of cultural memory presented by Astrid Erll, which is: 'the inter play of present and past in socio-cultural contexts.'6 This definition allows for a broad inclusion of different phenomena that play a role in the creation of cultural memory, whether they be individual acts of remembering with their position in a social context, or group and national memory, with their invented traditions and transnational memories. This field thus remains open to expatiate on different forms of memory, ranging from intentional to unintentional or from narrative to non-narrative, such as visual or bodily memories.7 A pivotal figure to mention in the establishment of memory studies is Maurice Halbwachs, who laid the foundation of the field in the 1920s by coining the term mémoire collective.8 Next to this fundamental legacy, he also brought into life the concept of cadres sociaux de la mémoire (social frameworks of memory), which explains that individual memories are inherently shaped and triggered through Eva Langerak 221 4 Astrid Erll, Cultural Memory Studies: An introduction. in: Astrid Erll, Ansgar Nünning and Sara B. Young (eds), Cultural Memory Studies: An International and Interdisciplinary Hand book. Berlin/New York: de Gruyter, 2008, 2. 5 Erll, Cultural Memory Studies, 1. 6 Erll, Cultural Memory Studies, 2. 7 Erll, Cultural Memory Studies, 2. 8 Erll, Cultural Memory Studies, 2.

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Archief | 2020 | | pagina 222