by collective contexts.'13 The memories that we have are often shaped by interac tions with people and media that surround us. The memory of how participants experienced Forum and how they felt that others were experiencing this event is thus important towards gaining a better understanding of this social context. Forum's image in the media, such as newspapers, pictures and video, is also im portant to consider. These external factors like a conversation, a book or a place provide us with a schematic framework with which we recall and shape new ex periences and memories. They make us remember in a socio-cultural context. The 'collective' aspect of cultural memory refers to the metaphysical order: the media, institutions and practices by which social groups construct a shared past. Memory then becomes a metaphor, since societies do not actively or literally 're member. Rather, they selectively reconstruct a shared past which is adapted to the present knowledge and needs of the people.14 The role of institutions and social practices in providing individuals with a framework for their memory will be particularly applicable to the study of Forum. Media and memory The importance of institutions and media is further developed in an idea of Astrid Erll, who explains that there is no such thing as pre-cultural individual memory, nor 'a collective or cultural memory which is detached from individuals and em bodied only in media and institutions.'15 Erll adds to the cultural memory theory that it is 'the sum total of all the processes (biological, medial, social), which are involved in the interplay of past and present within sociocultural contexts.'16 In addition, she accentuates the role of media in this interplay by stating that: 'what ever we know about the world, we know through media and in dependence on media. The images of the past which circulate in memory culture are thus not ex trinsic to media.'17 Different media, like religious texts, historical painting, histo riography, TV documentaries, monuments and commemorative rituals, all have their specific way of remembering and will leave their trace on the memory that is created. The key question that Erll is interested in, is why some media are more powerful at creating and moulding collective memories and images of the past Eva Langerak 223 13 Erll, Cultural Memory Studies, 5. 14 Erll, Cultural Memory Studies, 5. 15 Erll, Cultural Memory Studies, 5. 16 Astrid Erll, Memory in Culture. Basingstoke: Palgrave Macmillan, 2011,100. 17 Erll, Memory in Culture, 114.

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Archief | 2020 | | pagina 224